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X-WR-CALDESC:Events for Film Studies
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DTSTART;TZID=America/New_York:20180308T183000
DTEND;TZID=America/New_York:20180308T203000
DTSTAMP:20260628T022950
CREATED:20180228T162221Z
LAST-MODIFIED:20180228T162221Z
UID:10000311-1520533800-1520541000@filmstudies.princeton.edu
SUMMARY:Slavic Film Series: Welcome\, No Trespassing (1964\, dir. Elem Klimov)
DESCRIPTION:Shown in original language with English subtitles. Food will be served. \nSpring 2018 Slavic Film Series\, Laughing Matters: (Post)Soviet Comedy in Context\nOrganized by Lev Nikulin and Charles Swank
URL:https://filmstudies.princeton.edu/event/slavic-film-series-welcome-no-trespassing-1964-dir-elem-klimov/
LOCATION:100 Jones Hall
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180308T183000
DTEND;TZID=America/New_York:20180308T203000
DTSTAMP:20260628T022950
CREATED:20180228T161140Z
LAST-MODIFIED:20180228T161140Z
UID:10000460-1520533800-1520541000@filmstudies.princeton.edu
SUMMARY:Slavic/REEES Film Series: Ivan Vasilyevich Changes Professions (1973\, dir. Leonid Gaidai)
DESCRIPTION:Leonid Gaidai’s Ivan Vasilyevich Changes Professions (1973)\, 93 minutes \nShown in original language with English subtitles. Food will be served. \nSpring 2018 Slavic Film Series\, Laughing Matters: (Post)Soviet Comedy in Context\nOrganized by Lev Nikulin and Charles Swank \nBased on a play by Mikhail Bulgakov\, Leonid Gaidai’s Ivan Vasilyevich Changes Professions is a classic of Soviet comedy. Yuri Yakovlev\, known for his many comedic roles\, stars as both the Soviet superintendent Ivan Bunsha and Tsar Ivan the Terrible\, who accidentally swap places in time. Widely praised for its sharp satire of the Soviet Union during the Era of Stagnation\, this hilarious science-fiction romp adeptly portrays mid-70s Soviet daily life. \nNext screening: Welcome\, or No Trespassing (dir. Elem Klimov\, 1964) — March 8th\, 6:30pm\, Jones Hall 100. \nSponsored by Program in Russian\, East European and Eurasian Studies/Slavic Dept.
URL:https://filmstudies.princeton.edu/event/slavic-reees-film-series-ivan-vasilyevich-changes-professions-1973-dir-leonid-gaidai/
LOCATION:100 Jones Hall
ATTACH;FMTTYPE=image/jpeg:https://filmstudies.princeton.edu/wp-content/uploads/sites/12/2018/02/week_1_film_series.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20171214T183000
DTEND;TZID=America/New_York:20171214T183000
DTSTAMP:20260628T022950
CREATED:20171013T051250Z
LAST-MODIFIED:20171013T051250Z
UID:10000418-1513276200-1513276200@filmstudies.princeton.edu
SUMMARY:Slavic Film Series: The Postman’s White Nights (2014)\, dir. Andrei Konchalovsky
DESCRIPTION:Andrei Konchalovsky’s The Postman’s White Nights (2014)\, 90 min. \nShown in original language with English subtitles. Food will be served. \nFall 2017 Slavic Film Series: The Depth of Focus: Spatial Dissonance in Eurasian Cinema\nOrganized by Laura Christians\, Slavic Languages and Literatures \nRussia and the former Soviet Union are home to some of the most visually stunning locations in the world\, so it is no surprise that film directors would choose these spaces as the settings for their films and devote much attention to their portrayals… The centrality of location as a theme in the films shown in this series leads the audience to ponder the significance of space as an artistic device\, and also as social and cultural commentary. What is the relationship between geographic location and culture\, language\, and identity? How do the spaces that we occupy impact how we perceive and interact with the world? Do our locations define us? Do the inherent differences between regions render authentic communication across spatial borders impossible\, or do overarching unifying traits break down these walls? \nThis series presents a collection of films\, ranging from the 1920s to the present day\, that touch on all of these questions. The various directors do not merely use location as the backdrops for their films\, but they incorporate space as a cinematic device and a central theme.
URL:https://filmstudies.princeton.edu/event/slavic-film-postmans-white-nights/
LOCATION:100 Jones Hall
ATTACH;FMTTYPE=image/jpeg:https://filmstudies.princeton.edu/wp-content/uploads/sites/12/2017/10/2017filmserieslg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20171207T183000
DTEND;TZID=America/New_York:20171207T183000
DTSTAMP:20260628T022950
CREATED:20171013T050824Z
LAST-MODIFIED:20171013T050824Z
UID:10000416-1512671400-1512671400@filmstudies.princeton.edu
SUMMARY:Slavic Film Series: Leviathan (2014)\, dir. Andrei Zvyagintsev
DESCRIPTION:Andrei Zvyagintsev’s Leviathan (2014)\, 141 min. \nShown in original language with English subtitles. Food will be served. \nFall 2017 Slavic Film Series: The Depth of Focus: Spatial Dissonance in Eurasian Cinema\nOrganized by Laura Christians\, Slavic Languages and Literatures \nRussia and the former Soviet Union are home to some of the most visually stunning locations in the world\, so it is no surprise that film directors would choose these spaces as the settings for their films and devote much attention to their portrayals… The centrality of location as a theme in the films shown in this series leads the audience to ponder the significance of space as an artistic device\, and also as social and cultural commentary. What is the relationship between geographic location and culture\, language\, and identity? How do the spaces that we occupy impact how we perceive and interact with the world? Do our locations define us? Do the inherent differences between regions render authentic communication across spatial borders impossible\, or do overarching unifying traits break down these walls? \nThis series presents a collection of films\, ranging from the 1920s to the present day\, that touch on all of these questions. The various directors do not merely use location as the backdrops for their films\, but they incorporate space as a cinematic device and a central theme.
URL:https://filmstudies.princeton.edu/event/slavic-film-leviathan/
LOCATION:100 Jones Hall
ATTACH;FMTTYPE=image/jpeg:https://filmstudies.princeton.edu/wp-content/uploads/sites/12/2017/10/2017filmserieslg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20171130T183000
DTEND;TZID=America/New_York:20171130T183000
DTSTAMP:20260628T022950
CREATED:20171013T050226Z
LAST-MODIFIED:20171013T050226Z
UID:10000414-1512066600-1512066600@filmstudies.princeton.edu
SUMMARY:Slavic Film Series: Piter FM (2006)\, dir. Oksana Bychkova
DESCRIPTION:Oksana Bychkova’s Piter FM (2006)\, 84 min. \nShown in original language with English subtitles. Food will be served. \nFall 2017 Slavic Film Series: The Depth of Focus: Spatial Dissonance in Eurasian Cinema\nOrganized by Laura Christians\, Slavic Languages and Literatures \nRussia and the former Soviet Union are home to some of the most visually stunning locations in the world\, so it is no surprise that film directors would choose these spaces as the settings for their films and devote much attention to their portrayals… The centrality of location as a theme in the films shown in this series leads the audience to ponder the significance of space as an artistic device\, and also as social and cultural commentary. What is the relationship between geographic location and culture\, language\, and identity? How do the spaces that we occupy impact how we perceive and interact with the world? Do our locations define us? Do the inherent differences between regions render authentic communication across spatial borders impossible\, or do overarching unifying traits break down these walls? \nThis series presents a collection of films\, ranging from the 1920s to the present day\, that touch on all of these questions. The various directors do not merely use location as the backdrops for their films\, but they incorporate space as a cinematic device and a central theme.
URL:https://filmstudies.princeton.edu/event/slavic-film-piter-fm/
LOCATION:100 Jones Hall
ATTACH;FMTTYPE=image/jpeg:https://filmstudies.princeton.edu/wp-content/uploads/sites/12/2017/10/2017filmserieslg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20171116T183000
DTEND;TZID=America/New_York:20171116T183000
DTSTAMP:20260628T022950
CREATED:20171013T045640Z
LAST-MODIFIED:20171013T045640Z
UID:10000412-1510857000-1510857000@filmstudies.princeton.edu
SUMMARY:Slavic Film Series: The Island (2006)\, dir. Pavel Lungin
DESCRIPTION:Pavel Lungin’s The Island (2006)\, 112 min. \nShown in original language with English subtitles. Food will be served. \nFall 2017 Slavic Film Series: The Depth of Focus: Spatial Dissonance in Eurasian Cinema\nOrganized by Laura Christians\, Slavic Languages and Literatures \nRussia and the former Soviet Union are home to some of the most visually stunning locations in the world\, so it is no surprise that film directors would choose these spaces as the settings for their films and devote much attention to their portrayals… The centrality of location as a theme in the films shown in this series leads the audience to ponder the significance of space as an artistic device\, and also as social and cultural commentary. What is the relationship between geographic location and culture\, language\, and identity? How do the spaces that we occupy impact how we perceive and interact with the world? Do our locations define us? Do the inherent differences between regions render authentic communication across spatial borders impossible\, or do overarching unifying traits break down these walls? \nThis series presents a collection of films\, ranging from the 1920s to the present day\, that touch on all of these questions. The various directors do not merely use location as the backdrops for their films\, but they incorporate space as a cinematic device and a central theme.
URL:https://filmstudies.princeton.edu/event/slavic-film-the-island/
LOCATION:100 Jones Hall
ATTACH;FMTTYPE=image/jpeg:https://filmstudies.princeton.edu/wp-content/uploads/sites/12/2017/10/2017filmserieslg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20171109T183000
DTEND;TZID=America/New_York:20171109T183000
DTSTAMP:20260628T022950
CREATED:20171013T045152Z
LAST-MODIFIED:20171013T045152Z
UID:10000411-1510252200-1510252200@filmstudies.princeton.edu
SUMMARY:Slavic Film Series: Love and Pigeons (1984)\, dir. Vladimir Menshov
DESCRIPTION:Vladimir Menshov’s Love and Pigeons (1984)\, 107 min. \nShown in original language with English subtitles. Food will be served. \nFall 2017 Slavic Film Series: The Depth of Focus: Spatial Dissonance in Eurasian Cinema\nOrganized by Laura Christians\, Slavic Languages and Literatures \nRussia and the former Soviet Union are home to some of the most visually stunning locations in the world\, so it is no surprise that film directors would choose these spaces as the settings for their films and devote much attention to their portrayals… The centrality of location as a theme in the films shown in this series leads the audience to ponder the significance of space as an artistic device\, and also as social and cultural commentary. What is the relationship between geographic location and culture\, language\, and identity? How do the spaces that we occupy impact how we perceive and interact with the world? Do our locations define us? Do the inherent differences between regions render authentic communication across spatial borders impossible\, or do overarching unifying traits break down these walls? \nThis series presents a collection of films\, ranging from the 1920s to the present day\, that touch on all of these questions. The various directors do not merely use location as the backdrops for their films\, but they incorporate space as a cinematic device and a central theme.
URL:https://filmstudies.princeton.edu/event/slavic-film-love-and-pigeons/
LOCATION:100 Jones Hall
ATTACH;FMTTYPE=image/jpeg:https://filmstudies.princeton.edu/wp-content/uploads/sites/12/2017/10/2017filmserieslg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20171026T183000
DTEND;TZID=America/New_York:20171026T183000
DTSTAMP:20260628T022950
CREATED:20171013T044611Z
LAST-MODIFIED:20171013T044611Z
UID:10000410-1509042600-1509042600@filmstudies.princeton.edu
SUMMARY:Slavic Film Series: Happy Go Lucky (1972)\, dir. Vasily Shukshin
DESCRIPTION:Vasily Shukshin’s Happy Go Lucky (1972)\, 90 min. \nShown in original language with English subtitles. Food will be served. \nFall 2017 Slavic Film Series: The Depth of Focus: Spatial Dissonance in Eurasian Cinema\nOrganized by Laura Christians\, Slavic Languages and Literatures \nRussia and the former Soviet Union are home to some of the most visually stunning locations in the world\, so it is no surprise that film directors would choose these spaces as the settings for their films and devote much attention to their portrayals… The centrality of location as a theme in the films shown in this series leads the audience to ponder the significance of space as an artistic device\, and also as social and cultural commentary. What is the relationship between geographic location and culture\, language\, and identity? How do the spaces that we occupy impact how we perceive and interact with the world? Do our locations define us? Do the inherent differences between regions render authentic communication across spatial borders impossible\, or do overarching unifying traits break down these walls? \nThis series presents a collection of films\, ranging from the 1920s to the present day\, that touch on all of these questions. The various directors do not merely use location as the backdrops for their films\, but they incorporate space as a cinematic device and a central theme.
URL:https://filmstudies.princeton.edu/event/slavic-film-happy-go-lucky/
LOCATION:100 Jones Hall
ATTACH;FMTTYPE=image/jpeg:https://filmstudies.princeton.edu/wp-content/uploads/sites/12/2017/10/2017filmserieslg.jpg
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