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DTSTART;TZID=America/New_York:20180927T193000
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CREATED:20180921T135443Z
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SUMMARY:Good Bye Lenin!
DESCRIPTION:Part of the Berlin in Film series \nIn 1990\, to protect his fragile mother from a fatal shock after a long coma\, a young man must keep her from learning that her beloved nation of East Germany as she knew it has disappeared. \n(Directed by Wolfgang Becker\, 2003; 121 mins; in German with English subtitles) \nRefreshments provided.
URL:https://filmstudies.princeton.edu/event/good-bye-lenin/
LOCATION:010 East Pyne\, 010 East Pyne\, Princeton\, NJ\, 08544\, United States
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DTSTART;TZID=America/New_York:20180416T163000
DTEND;TZID=America/New_York:20180416T180000
DTSTAMP:20260627T144006
CREATED:20171208T155517Z
LAST-MODIFIED:20180412T153841Z
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SUMMARY:Media Archaeology as Symptom
DESCRIPTION:On Monday\, April 16\, the Humanities Council will host the final lecture in a new\, seven-part\, year-long speaker series about the field of Media Studies\, Positions and Prospects\, organized by Devin Fore (German). Thomas Elsaesser\, University of Amsterdam/Columbia University\, will deliver the talk. \nAbstract  \nFor almost a hundred years\, film has been discussed primarily from the perspective of photography: cinema either as a perceptual-ocular dispositif\, based on light\, projection (and sound)\, or as a recording dispositif\, based on index\, imprint and trace. If such a history implies the ‘death of cinema’ and cuts the past off from the present\, what may be needed is an ‘archaeology’ alongside a history – in other words: different pasts to enable and acknowledge other futures. The paper will consider the changing presence of the moving image in art spaces and the tech-sector\, using Harun Farocki’s work as both symptom and paradigm. \nThomas Elsaesser is Professor Emeritus at the University of Amsterdam and since 2013 teaches part-time at Columbia University\, New York. Among his most recent books are: The Persistence of Hollywood (New York: Routledge\, 2012)\, German Cinema – Terror and Trauma: Cultural Memory Since 1945 (New York: Routledge\, 2013)\, Film Theory: An Introduction through the Senses (New York: Routledge\, 2nd edition 2015\, with Malte Hagener) and Film History as Media Archaeology (Amsterdam University Press\, 2016). In press: European Cinema and Continental Philosophy: Film as Thought Experiment (Bloomsbury\, 2018)
URL:https://filmstudies.princeton.edu/event/media-studies-thomas-elsaesser/
LOCATION:010 East Pyne\, 010 East Pyne\, Princeton\, NJ\, 08544\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180219T163000
DTEND;TZID=America/New_York:20180219T180000
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CREATED:20180216T194906Z
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SUMMARY:Act and Punishment
DESCRIPTION:Evgeny Mitta’s film\, Act and Punishment\, is a documentary that historically and culturally grounds the protest actions of Pussy Riot. The film\, which the Russian government has banned\, juxtaposes interviews with members of Pussy Riot who tell their own stories alongside commentary by Russian art historians\, curators\, and artists who contextualize their work. The film makes extensive use of raw footage depicting Pussy Riot’s actions and Pussy Riot inspired demonstrations in Russia. This will be the first time that filmmaker\, Evgeny Mitta\, will be in the United States to present his film. Evgeny Mitta will discuss history of Russian performance art/music\, the making of his documentary film\, queerness of femme holy fools\, and provide some context on Russia-US relations. As a friend to the Pussy Riot collective and many other Russian political artists\, Evgeny can speak on the intersections of politics\, sexuality\, class\, and gender that are portrayed in his film. \nEvgeny Mitta is a visual artist\, documentary filmmaker\, scenographer\, and actor. Born and raised in Moscow\, Russia\, he graduated from the Moscow State Art Institute of V. Surikov. Soon after graduating\, he co-founded “First Gallery” the first private artist gallery in Russia and since then he has opened the Paperworks Gallery. In 1994 he became a member of Moscow Artists’ Association and he has had his paintings sold at Sotheby’s London ‘Contemporary East’ in 2013. His movie\, Act and Punishment\, is a part of a documentary series “Anthology of Contemporary Art” which includes two other movies\, Vinogradov and Dubosarskiy: Commissioned Painting\, and Oleg Kulik: Challenge and Provocation. Evgeny’s next film focuses on the protests of 2012 in Moscow\, and is titled 2012.
URL:https://filmstudies.princeton.edu/event/act-and-punishment/
LOCATION:010 East Pyne\, 010 East Pyne\, Princeton\, NJ\, 08544\, United States
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DTSTART;TZID=America/New_York:20180214T163000
DTEND;TZID=America/New_York:20180214T180000
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CREATED:20180207T200511Z
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UID:10000453-1518625800-1518631200@filmstudies.princeton.edu
SUMMARY:In the Intense Now
DESCRIPTION:A film screening and discussion moderated by Pedro Meira Monteiro (Spanish and Portuguese)\, João Biehl (Anthropology)\, and Germán Labrador (Spanish and Portuguese). \nIn the Intense Now explores the revolutions of 1968 as they unfolded across four different countries and their political environments: France\, Czechoslovakia\, China\, and Brazil. \nThis event is sponsored by the Princeton Mellon Initiative in Architecture\, Urbanism and The Humanities Council 1968/2018: Cities on the Edge series; the Department of Spanish and Portuguese; the Department of Anthropology; and the Program for Latin American Studies. The film is part of Princeton’s Brazil LAB (Luso-Afro-Brazilian Studies) initiative. \n 
URL:https://filmstudies.princeton.edu/event/in-the-intense-now/
LOCATION:010 East Pyne\, 010 East Pyne\, Princeton\, NJ\, 08544\, United States
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