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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260224T163000
DTEND;TZID=America/New_York:20260224T180000
DTSTAMP:20260627T132408
CREATED:20260114T192655Z
LAST-MODIFIED:20260114T192731Z
UID:10000641-1771950600-1771956000@filmstudies.princeton.edu
SUMMARY:Voice\, Gender\, Character: Tessitura Film Screening and Q&A
DESCRIPTION:Join us for a screening of the short film\, Tessitura. After the screening\, we’ll be joined by co-directors\, Lydia Cornett and Brit Fryer\, for a Q&A moderated by Rebekah Peeples\, Deputy Dean of the College and author of “Unchanged Trebles.” \nTessitura explores how contemporary opera singers navigate the traditional vocal categories of their art form\, interweaving their personal stories with historical context. Central to this exploration is musicologist Dr. Naomi André\, who provides context about the legacy of castrati and trouser roles – grounding the film in opera’s long association with dismantling gender binaries. But at the heart of the film are three singers on unique journeys: Breanna Sinclairé\, a soprano dreaming of performing traditional leading roles; Lucas Bouk\, a baritone searching for his place in modern opera repertoire; and Katherine Goforth\, a rising star who is committed to redefining the opera’s boundaries. \nA reception will follow the event.  \nRead more about the event on the IHUM website.
URL:https://filmstudies.princeton.edu/event/voice-gender-character-tessitura-film-screening-and-qa/
LOCATION:010 East Pyne\, 010 East Pyne\, Princeton\, NJ\, 08544\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251022T163000
DTEND;TZID=America/New_York:20251022T180000
DTSTAMP:20260627T132408
CREATED:20251003T204652Z
LAST-MODIFIED:20251007T163645Z
UID:10000639-1761150600-1761156000@filmstudies.princeton.edu
SUMMARY:Film Screening: At this Moment\, in the Nation’s Sky
DESCRIPTION:Shot during the turbulent months leading up to the recent Brazilian presidential elections and the subsequent storming of Congress and the Supreme Court on January 8th\, 2023\, the film looks at these moments through the eyes of a few characters involved in the process\, articulating the personal and the political. At a time when the far right was in power and democracy was at risk\, it explores the existence of two parallel worlds unable to see each other. \nScreenplay: Sandra Kogut\nDirector: Sandra Kogut\nProducers: João Roni\, Sandra Kogut\, Henrique Landulfo\, Zahra Staub\, Cristian Marini\nImage: Leo Bittencourt\nEditing: Renata Baldi\, Sandra Kogut\nSound: Bruno Armelin\nMusic: O Grivo \n\nRelated event: Roundtable with director Sandra Kogut October 23\, 12pm\, 144 Louis Simpson Building 
URL:https://filmstudies.princeton.edu/event/film-screening-at-this-moment-in-the-nations-sky/
LOCATION:010 East Pyne\, 010 East Pyne\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://filmstudies.princeton.edu/wp-content/uploads/sites/12/2025/10/Kogut-at-this-moment-in-the-nations-sky.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241121T163000
DTEND;TZID=America/New_York:20241121T180000
DTSTAMP:20260627T132408
CREATED:20241008T134911Z
LAST-MODIFIED:20241120T214634Z
UID:10000624-1732206600-1732212000@filmstudies.princeton.edu
SUMMARY:Film Studies Lecture - Ghosts and Guests in the Machine: Animism and Technology
DESCRIPTION:Film is historically based on animating single shots into moving images – therefore\, one can look at film as a technique of animation beyond animation as a genre of film. With this comes the impression of liveliness\, which is the result of the cinematographic animation of the spectator. We animate machines\, machines animate us. This simple reciprocity grounds the basic relationship between hands\, tools\, instruments\, machines etc. and the human body as senso-motoric perceptive player. Leaving the dualism that came with the concept of mind as a ‘ghost in the machine’ of a physical\, mechanical body or the master narrative of machines as the alien who intrudes a human world and body I will explore specific cases of technologically produced and enhanced artworks how the interplay between machines and humans may point to a technoaesthetic that offers a wider horizon on this interaction. \nProf. Dr. Gertrud Koch. Professor Emerita for Cinema Studies at Freie Universität Berlin\, visiting professor at Brown University (2013-2023)\, and served as Professor II at Oslo University. Currently visiting professor at Leuphana-Universität in Lüneburg and at Princeton University. Numerous stays as a research fellow and visiting professor (NYU\, Columbia\, Berkeley\, Tel Aviv University\, Getty Research Center in Los Angeles et al.) She was the director of the research center Aesthetic Experience in the Sign of the Entanglement of the Arts “ in Berlin from 2006-2014. \nShe is author of numeorus monographies\, including Herbert Marcuse zur Einführung (zus.mit Hauke Brunkhorst)\, Hamburg 1987; “Was ich erbeute\, sind Bilder”. Zur filmischen Repräsentation der Geschlechterdifferenz\, Frankfurt a.M. 1988; Die Einstellung ist die Einstellung. Zur visuellen Konstruktion des Judentums\, Frankfurt a.M. 1992; Siegfried Kracauer zur Einführung\, Hamburg 1996\, english edition from Pricneton University Press; Breaking Bad\, Berlin 2015\, english edition: Breaking Out\, Breaking Bad\, Breaking even\, Dipahanes 2017; Die Wiederkehr der Illusion. Film und die Künste\, der Gegenwart\, Berlin 2016; Zwischen Raubtier und Chamäleon. Texte zu Film\, Medien\, Kunst und Kultur\, hg. von Judith Keilbach und Thomas Morsch\, München 2016. \nCo-editor and on the board of numerous German and international reviews (October\, Constellation\,  Philosophy & Social Criticism\, Cinema&Cie\, New Benjamin Studies\, Journal for Adorno Studies\, et al.)
URL:https://filmstudies.princeton.edu/event/film-studies-lecture-ghosts-and-guests-in-the-machine-animism-and-technology/
LOCATION:010 East Pyne\, 010 East Pyne\, Princeton\, NJ\, 08544\, United States
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20231127T163000
DTEND;TZID=UTC:20231127T173000
DTSTAMP:20260627T132408
CREATED:20231010T172408Z
LAST-MODIFIED:20231010T173844Z
UID:10000466-1701102600-1701106200@filmstudies.princeton.edu
SUMMARY:The Unburied: Material Histories of Film in the Owens Valley
DESCRIPTION:The Owens Valley\, a slender stretch of high desert in Eastern California\, is a place of origins. It has played a major\, if underrecognized\, role in the industrial development of Los Angeles\, particularly for the silver extracted in the late 19th century and the water diverted into the Los Angeles Aqueduct in the early 20th. These and other histories have been inscribed\, though often miswritten\, in film\, including in the nearly 500 Hollywood productions shot in the region’s Alabama Hills. But look closer into these beginnings and one will find traces of the lives and labors of dispossessed Indigenous peoples\, Mexican settlers\, and Asian immigrants. This talk focuses on the latter group: Chinese miners killed in a devastating accident at the Cerro Gordo mine\, Japanese-Americans interned at Manzanar\, and the minor characters that\, through their background expressions in films\, point to a different direction for the Hollywood imaginary. The history of film\, in its most basic\, material composition of silver nitrate\, is conditioned by these half-buried figures\, however incidental they have been to an already neglected landscape. As the experience of “film” has become all but entirely digitized\, the retrieval of these foundational elements of the film image reveals a representational form whose geographical and material origins are still largely unexplored. \nBio:\nGenevieve Yue is an associate professor of Culture and Media and director of the Screen Studies program at Eugene Lang College\, The New School. She is co-editor of the Cutaways series at Fordham University Press\, and her essays and criticism have appeared in Reverse Shot\, October\, Grey Room\, The Times Literary Supplement\, Film Comment\, and Film Quarterly. She is also an independent film programmer\, with screenings at Anthology Film Archives\, Metrograph\, Light Industry\, and\, most recently\, Tallinn Photomonth\, a biennial of contemporary art and visual culture in Tallinn\, Estonia. Her book Girl Head: Feminism and Film Materiality was published in 2020 by Fordham University Press.
URL:https://filmstudies.princeton.edu/event/the-unburied-material-histories-of-film-in-the-owens-valley/
LOCATION:010 East Pyne\, 010 East Pyne\, Princeton\, NJ\, 08544\, United States
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231113T163000
DTEND;TZID=America/New_York:20231113T173000
DTSTAMP:20260627T132408
CREATED:20231003T150627Z
LAST-MODIFIED:20231030T190045Z
UID:10000464-1699893000-1699896600@filmstudies.princeton.edu
SUMMARY:Faber Lecture - From the Cloud to the Resistance
DESCRIPTION:The paper discusses Abbas Kiarostami’s 1979 film\, First Case\, Second Case. Completed at the end of the Iranian Revolution\, just days before the Shah fled Iran and Khomeini returned from\nexile to take command of the newly-liberated nation\, the film had to be significantly revised in the face of this historical scission and an uncertain future. What was at stake in this moment\, Khomeini claimed\, was the sensorium of the Iranian people and the role cinema should play in restoring it. Kiarostami took these stakes seriously and responded directly. \nJoan Copjec is a philosopher\, theorist\, and feminist film scholar. Her books include Imagine There’s No Woman: Ethics and Sublimation (MIT Press\, 2003)\, Read My Desire: Lacan against the Historicists (MIT Press\, 1994)\, and Supposing the Subject (Verso\, 1994)
URL:https://filmstudies.princeton.edu/event/faber-lecture-first-case-second-case-on-the-soul-and-the-sensorium-of-the-iranian-people/
LOCATION:010 East Pyne\, 010 East Pyne\, Princeton\, NJ\, 08544\, United States
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230915T133000
DTEND;TZID=America/New_York:20230915T150000
DTSTAMP:20260627T132408
CREATED:20230907T183014Z
LAST-MODIFIED:20230907T183014Z
UID:10000619-1694784600-1694790000@filmstudies.princeton.edu
SUMMARY:Public Talk: Art in Times of War
DESCRIPTION:Join Ukrainian filmmaker Iryna Tsilyk and Princeton University translator in residence Hanna Leliv as they discuss art and artists in wartime. \nIryna Tsilyk is a Ukrainian filmmaker and writer\, based in Kyiv. She is the director of the award-winning documentary film The Earth Is Blue As an Orange which won the “Directing Award” at the Sundance Film Festival 2020\, as well as numerous other honors. Tsilyk is also known for her fiction film Rock. Paper. Grenade based on the novel Who Are You? by Ukrainian writer\, and Iryna’s husband\, Artem Chekh. \nIryna Tsilyk is the author of 8 books (poetry\, prose\, children’s books) published in Ukraine. Many of her poems\, short stories and essays have been translated into multiple languages and presented in different international publications\, literary festivals and events. Over the years of Russia’s war in Ukraine\, Iryna has taken part in different literary readings\, documentary shootings\, tutoring for children\, etc. in the war zone. At the same time\, her husband Artem Chekh became a soldier of Armed Forces of Ukraine twice. Iryna’s recent writing and films mostly reflect on different angles of these lived experiences. \nHanna Leliv is a native of Lviv\, Ukraine\, where she works as a freelance translator and runs literary translation workshops at Ukrainian Catholic University. She was a Fulbright fellow at the University of Iowa’s Literary Translation Workshop and mentee at the Emerging Translators Mentorship Program run by the UK National Center for Writing. Her translations of contemporary Ukrainian literature into English have appeared in Asymptote\, BOMB\, Washington Square Review\, Circumference\, and elsewhere. In 2022\, Astra House published Stalking the Atomic City: Life Among the Decadent and the Depraved of Chornobyl by Markiyan Kamysh in her translation. She most recently served as faculty fellow at the Leslie Center for the Humanities at Dartmouth College.
URL:https://filmstudies.princeton.edu/event/public-talk-art-in-times-of-war/
LOCATION:010 East Pyne\, 010 East Pyne\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://filmstudies.princeton.edu/wp-content/uploads/sites/12/2023/09/iryna-tsylik-quer-formatkey-png-w1920.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190430T163000
DTEND;TZID=America/New_York:20190430T180000
DTSTAMP:20260627T132408
CREATED:20180824T194205Z
LAST-MODIFIED:20190404T164331Z
UID:10000323-1556641800-1556647200@filmstudies.princeton.edu
SUMMARY:Before and After the Cinematic Turn: Passages de l’image\, 1990
DESCRIPTION:In the past thirty years\, the moving image has undergone an immense transformation in status\, migrating from the fringes of contemporary art to occupy a central position within it\, filling museums around the world. Why did this shift occur\, and how did it entail a rethinking of cinema\, art\, and the relationships between them?The answer to this question cannot be found by examining artistic practices alone; rather\, a history of exhibitions is needed\, one that does more than enshrine the curator as author. \nThis talk will take up this task by returning to the landmark 1990 exhibition “Passages de l’image.” Curated by Raymond Bellour\, Catherine David\, and Christine van Assche\, it marked the first time the Centre Pompidou devoted an exhibition entirely to mechanically and electronically reproducible images. Drawing on archival research\, this presentation will explore how “Passages” marks a key turning point in both the exhibition of moving images in the gallery and the reconfiguration of the relationship between art and cinema that has taken place in the last 30 years\, delineating a field of inquiry that would be taken up internationally throughout the 1990s. \nErika Balsom is a senior lecturer in Film Studies and Liberal Arts at King’s College London. She is the author of After Uniqueness: A History of Film and Video Art in Circulation (2017) and Exhibiting Cinema in Contemporary Art (2013)\, and the co-editor of Documentary Across Disciplines (2016). Her article\, “Instant Failure: Polaroid’s Polavision\, 1977–80” is the winner of the 2018 Katherine Singer Kovacs essay award from the Society of Cinema and Media Studies. She is a frequent contributor to Artforum and Sight and Sound\, and in 2017 was the international curator in residence at the Govett-Brewster Art Gallery/Len Lye Centre\, New Zealand\, resulting in the 2018 screening program and publication An Oceanic Feeling: Cinema and the Sea.
URL:https://filmstudies.princeton.edu/event/erika-balsom/
LOCATION:010 East Pyne\, 010 East Pyne\, Princeton\, NJ\, 08544\, United States
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190312T163000
DTEND;TZID=America/New_York:20190312T180000
DTSTAMP:20260627T132408
CREATED:20180824T194048Z
LAST-MODIFIED:20190304T181713Z
UID:10000322-1552408200-1552413600@filmstudies.princeton.edu
SUMMARY:The Guest’s View: Objectivity\, Disposability\, and Ann Hui’s Cinema
DESCRIPTION:With reference to the acclaimed Hong Kong director Ann Hui (許鞍華)\, this lecture discusses the notion of “the guest’s perspective” in relation to Chinese idiom\, cinematic form\, and the class politics of contemporary migranthood. The lecture will include remarks on Hui’s thought-provoking film 天水圍的夜與霧 / Night and Fog (2009). \nRey Chow is the Anne Firor Scott Professor of Literature at Duke University.  Chow’s research comprises theoretical\, interdisciplinary\, and textual analyses. Since her years as a graduate student at Stanford University\, she has specialized in the making of cultural forms such as literature and film (with particular attention to East Asia\, Western Europe\, and North America)\, and in the discursive encounters among modernity\, sexuality\, postcoloniality\, and ethnicity. Her book PRIMITIVE PASSIONS was awarded the James Russell Lowell Prize by the Modern Language Association. In her current work\, Chow is concerned with the legacies of poststructuralist theory (in particular the work of Michel Foucault)\, the politics of language as a postcolonial phenomenon\, and the shifting paradigms for knowledge and lived experience in the age of visual technologies and digital media.
URL:https://filmstudies.princeton.edu/event/rey-chow/
LOCATION:010 East Pyne\, 010 East Pyne\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://filmstudies.princeton.edu/wp-content/uploads/sites/12/2018/08/Night-and-Fog.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181114T193000
DTEND;TZID=America/New_York:20181114T213000
DTSTAMP:20260627T132408
CREATED:20180921T135309Z
LAST-MODIFIED:20180921T135518Z
UID:10000480-1542223800-1542231000@filmstudies.princeton.edu
SUMMARY:Lola Rennt
DESCRIPTION:Part of the Berlin in Film series \nTwo-bit Berlin criminal Manni delivers some smuggled loot for his boss\, Ronnie\, but accidentally leaves the 100\,000 mark payment in a subway car. Given 20 minutes to come up with the money\, he calls his girlfriend\, Lola\, who sprints through the streets of the city to try to beg the money out of her bank manager father and get to Manni before he does something desperate. \nRefreshments provided.
URL:https://filmstudies.princeton.edu/event/lola-rennt/
LOCATION:010 East Pyne\, 010 East Pyne\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://filmstudies.princeton.edu/wp-content/uploads/sites/12/2018/09/Lola-Rennt.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181018T193000
DTEND;TZID=America/New_York:20181018T213000
DTSTAMP:20260627T132408
CREATED:20180921T135637Z
LAST-MODIFIED:20180921T135637Z
UID:10000482-1539891000-1539898200@filmstudies.princeton.edu
SUMMARY:Sonnen Allee
DESCRIPTION:Part of the Berlin in Film series \nMichael is a teenager coming of age in 1970s East Berlin. He and his friends daily traverse Sonnenallee\, a street bisected by the West Berlin border\, an ever-present reminder of a free world just beyond the wall. The teens rebel against their insular communist surroundings by immersing themselves in contraband rock records and other forms of pop art. What is at first a fad becomes a lifesaver as each kid comes to face the crushing realities of impending adulthood. \nRefreshments provided
URL:https://filmstudies.princeton.edu/event/sonnen-allee/
LOCATION:010 East Pyne\, 010 East Pyne\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://filmstudies.princeton.edu/wp-content/uploads/sites/12/2018/09/Sonnen-Allee.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180927T193000
DTEND;TZID=America/New_York:20180927T213000
DTSTAMP:20260627T132408
CREATED:20180921T135443Z
LAST-MODIFIED:20180921T135443Z
UID:10000481-1538076600-1538083800@filmstudies.princeton.edu
SUMMARY:Good Bye Lenin!
DESCRIPTION:Part of the Berlin in Film series \nIn 1990\, to protect his fragile mother from a fatal shock after a long coma\, a young man must keep her from learning that her beloved nation of East Germany as she knew it has disappeared. \n(Directed by Wolfgang Becker\, 2003; 121 mins; in German with English subtitles) \nRefreshments provided.
URL:https://filmstudies.princeton.edu/event/good-bye-lenin/
LOCATION:010 East Pyne\, 010 East Pyne\, Princeton\, NJ\, 08544\, United States
ATTACH;FMTTYPE=image/jpeg:https://filmstudies.princeton.edu/wp-content/uploads/sites/12/2018/09/Lenin.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180416T163000
DTEND;TZID=America/New_York:20180416T180000
DTSTAMP:20260627T132408
CREATED:20171208T155517Z
LAST-MODIFIED:20180412T153841Z
UID:10000426-1523896200-1523901600@filmstudies.princeton.edu
SUMMARY:Media Archaeology as Symptom
DESCRIPTION:On Monday\, April 16\, the Humanities Council will host the final lecture in a new\, seven-part\, year-long speaker series about the field of Media Studies\, Positions and Prospects\, organized by Devin Fore (German). Thomas Elsaesser\, University of Amsterdam/Columbia University\, will deliver the talk. \nAbstract  \nFor almost a hundred years\, film has been discussed primarily from the perspective of photography: cinema either as a perceptual-ocular dispositif\, based on light\, projection (and sound)\, or as a recording dispositif\, based on index\, imprint and trace. If such a history implies the ‘death of cinema’ and cuts the past off from the present\, what may be needed is an ‘archaeology’ alongside a history – in other words: different pasts to enable and acknowledge other futures. The paper will consider the changing presence of the moving image in art spaces and the tech-sector\, using Harun Farocki’s work as both symptom and paradigm. \nThomas Elsaesser is Professor Emeritus at the University of Amsterdam and since 2013 teaches part-time at Columbia University\, New York. Among his most recent books are: The Persistence of Hollywood (New York: Routledge\, 2012)\, German Cinema – Terror and Trauma: Cultural Memory Since 1945 (New York: Routledge\, 2013)\, Film Theory: An Introduction through the Senses (New York: Routledge\, 2nd edition 2015\, with Malte Hagener) and Film History as Media Archaeology (Amsterdam University Press\, 2016). In press: European Cinema and Continental Philosophy: Film as Thought Experiment (Bloomsbury\, 2018)
URL:https://filmstudies.princeton.edu/event/media-studies-thomas-elsaesser/
LOCATION:010 East Pyne\, 010 East Pyne\, Princeton\, NJ\, 08544\, United States
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180219T163000
DTEND;TZID=America/New_York:20180219T180000
DTSTAMP:20260627T132408
CREATED:20180216T194906Z
LAST-MODIFIED:20180216T194906Z
UID:10000456-1519057800-1519063200@filmstudies.princeton.edu
SUMMARY:Act and Punishment
DESCRIPTION:Evgeny Mitta’s film\, Act and Punishment\, is a documentary that historically and culturally grounds the protest actions of Pussy Riot. The film\, which the Russian government has banned\, juxtaposes interviews with members of Pussy Riot who tell their own stories alongside commentary by Russian art historians\, curators\, and artists who contextualize their work. The film makes extensive use of raw footage depicting Pussy Riot’s actions and Pussy Riot inspired demonstrations in Russia. This will be the first time that filmmaker\, Evgeny Mitta\, will be in the United States to present his film. Evgeny Mitta will discuss history of Russian performance art/music\, the making of his documentary film\, queerness of femme holy fools\, and provide some context on Russia-US relations. As a friend to the Pussy Riot collective and many other Russian political artists\, Evgeny can speak on the intersections of politics\, sexuality\, class\, and gender that are portrayed in his film. \nEvgeny Mitta is a visual artist\, documentary filmmaker\, scenographer\, and actor. Born and raised in Moscow\, Russia\, he graduated from the Moscow State Art Institute of V. Surikov. Soon after graduating\, he co-founded “First Gallery” the first private artist gallery in Russia and since then he has opened the Paperworks Gallery. In 1994 he became a member of Moscow Artists’ Association and he has had his paintings sold at Sotheby’s London ‘Contemporary East’ in 2013. His movie\, Act and Punishment\, is a part of a documentary series “Anthology of Contemporary Art” which includes two other movies\, Vinogradov and Dubosarskiy: Commissioned Painting\, and Oleg Kulik: Challenge and Provocation. Evgeny’s next film focuses on the protests of 2012 in Moscow\, and is titled 2012.
URL:https://filmstudies.princeton.edu/event/act-and-punishment/
LOCATION:010 East Pyne\, 010 East Pyne\, Princeton\, NJ\, 08544\, United States
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180214T163000
DTEND;TZID=America/New_York:20180214T180000
DTSTAMP:20260627T132408
CREATED:20180207T200511Z
LAST-MODIFIED:20180207T200511Z
UID:10000453-1518625800-1518631200@filmstudies.princeton.edu
SUMMARY:In the Intense Now
DESCRIPTION:A film screening and discussion moderated by Pedro Meira Monteiro (Spanish and Portuguese)\, João Biehl (Anthropology)\, and Germán Labrador (Spanish and Portuguese). \nIn the Intense Now explores the revolutions of 1968 as they unfolded across four different countries and their political environments: France\, Czechoslovakia\, China\, and Brazil. \nThis event is sponsored by the Princeton Mellon Initiative in Architecture\, Urbanism and The Humanities Council 1968/2018: Cities on the Edge series; the Department of Spanish and Portuguese; the Department of Anthropology; and the Program for Latin American Studies. The film is part of Princeton’s Brazil LAB (Luso-Afro-Brazilian Studies) initiative. \n 
URL:https://filmstudies.princeton.edu/event/in-the-intense-now/
LOCATION:010 East Pyne\, 010 East Pyne\, Princeton\, NJ\, 08544\, United States
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END:VCALENDAR